Savoy opera
The Savoy Operas denote a style of comic opera that developed in Victorian England in the late 19th century, with W. S. Gilbert and Arthur Sullivan as the original and most successful practitioners. The name is derived from the Savoy Theatre, which impresario Richard D'Oyly Carte built to house the Gilbert and Sullivan pieces, and later, those by other composer–librettist teams. The great bulk of the non-G&S Savoy Operas either failed to achieve a foothold in the standard repertory, or have faded over the years, leaving the term "Savoy Opera" as practically synonymous with Gilbert and Sullivan. The Savoy operas (in both senses) were seminal influences on the creation of the modern musical.
Gilbert, Sullivan, Carte and other Victorian era British composers, librettists and producers,1 as well as the contemporary British press and literature, called works of this kind "comic operas" to distinguish their content and style from that of the often risqué continental European operettas that they wished to displace. Most of the published literature on Gilbert and Sullivan since that time refers to these works as "Savoy Operas", "comic operas", or both.2 However, the Penguin Opera Guides and many other general music dictionaries and encyclopedias classify the Gilbert and Sullivan works as operettas.3
Patience (1881) was the first opera to appear at the Savoy Theatre, and thus, in a strict sense, the first true "Savoy Opera", although the term "Savoy Opera" has, for over a century, included the complete set of thirteen operas that Gilbert and Sullivan wrote for Richard D'Oyly Carte:
- Trial by Jury (1875)
- The Sorcerer (1877)
- H.M.S. Pinafore, or The Lass that Loved a Sailor (1878)
- The Pirates of Penzance, or The Slave of Duty (1880)
- Patience, or Bunthorne's Bride (1881)
- Iolanthe, or The Peer and the Peri (1882)
- Princess Ida, or Castle Adamant (1884)
- The Mikado, or The Town of Titipu (1885)
- Ruddigore, or The Witch's Curse (1887)
- The Yeomen of the Guard, or The Merryman and his Maid (1888)
- The Gondoliers, or The King of Barataria (1889)
- Utopia Limited, or The Flowers of Progress (1893)
- The Grand Duke, or The Statutory Duel (1896)
Contents |
Other definitions
During the years when the Gilbert and Sullivan (“G&S”) operas were being written, Richard D'Oyly Carte produced operas by other composer–librettist teams, either as curtain raisers to the G&S pieces, or to fill the theatre when no G&S piece was available. To their contemporaries, the term "Savoy Opera" referred to any opera that appeared at that theatre, regardless of who wrote it.
Aside from curtain raisers (which are listed in the second table below), the G&S operas were the only works produced at the Savoy Theatre from the date it opened (10 October 1881) until The Gondoliers closed on 20 June 1891. Over the next decade, there were only two new G&S pieces (Utopia Limited and The Grand Duke), both of which had comparatively brief runs. To fill the gap, Carte mounted G&S revivals, Sullivan operas with different librettists, and works by other composer–librettist teams. Richard D'Oyly Carte died on April 3, 1901. If the nexus of Carte and the Savoy Theatre is used to define "Savoy Opera," then the last new Savoy Opera was The Rose of Persia (music by Sullivan, libretto by Basil Hood), which ran from 28 November 1899–28 June 1900.
After Carte's death, his wife Helen Carte assumed management of the theatre. She continued to produce new pieces in the G&S style, along with G&S revivals. Counting the pieces that Mrs. D'Oyly Carte and the D'Oyly Carte Opera Company produced, the last Savoy Opera was A Princess of Kensington (music by Edward German, libretto by Basil Hood), which ran for four months in early 1903. This is the point that Cyril Rollins and R. John Witts adopt as the end of the Savoy Operas. After A Princess of Kensington, Mrs. D'Oyly Carte relinquished control of the theatre until December 8, 1906, when she produced a series of G&S revivals in repertory, with Gilbert returning to direct.
In March 1909, Charles H. Workman assumed control of the theatre, producing three new pieces, including one by Gilbert himself, Fallen Fairies (music by Edward German). The last of these Workman-produced works came in early 1910, Two Merry Monarchs, by Arthur Anderson, George Levy, and Hartley Carrick, with music by Orlando Morgan. The contemporary press referred to these works as "Savoy Operas",4 and S. J. Adair Fitz-Gerald regarded Workman's pieces as the last Savoy Operas.
Fitz-Gerald wrote his book, The Story of the Savoy Opera, in 1924, when these other pieces were still within living memory. But over time, all of the works produced at the Savoy by composers and librettists other than Gilbert and Sullivan were largely forgotten. The term "Savoy Opera" came to be synonymous with the thirteen extant works of Gilbert and Sullivan. The first collaboration of Gilbert and Sullivan—the 1871 opera Thespis—was not a Savoy Opera under any of the definitions mentioned to this point, as Richard D'Oyly Carte did not produce it, nor was it ever performed at the Savoy Theatre. Given its lack of a D'Oyly Carte or Savoy connection, Thespis has a tenuous claim to be a "Savoy Opera." However, Rollins & Witts include it in their compendium of the Savoy Operas, as does Geoffrey Smith.
Complete list
The following table shows all of the full-length operas that could be considered "Savoy Operas" under any of the definitions mentioned above. Only first runs are shown. Curtain-raisers and afterpieces that played with the Savoy Operas are included in the next table below.
| Title | Librettist(s) | Composer(s) | Theatre | Opening Date | Closing Date |
Perf's. |
|---|---|---|---|---|---|---|
| Thespis | W. S. Gilbert | Arthur Sullivan | Gaiety | 26 Dec. 1871 | 8 Mar. 1872 | 64 |
| Trial by Jury | W. S. Gilbert | Arthur Sullivan | Royalty | 25 Mar. 1875 | 18 Dec. 1875 | 131 |
| The Sorcerer | W. S. Gilbert | Arthur Sullivan | Opera Comique | 17 Nov. 1877 | 24 May 1878 | 178 |
| H.M.S. Pinafore | W. S. Gilbert | Arthur Sullivan | Opera Comique | 25 May 1878 | 20 Feb. 1880 | 571 |
| The Pirates of Penzance | W. S. Gilbert | Arthur Sullivan | Bijou, Paignton | 30 Dec. 1879 | 30 Dec. 1879 | 1 |
| Fifth Avenue, NY | 31 Dec. 1879 | 5 June 1879 | 100 | |||
| Opera Comique | 3 Apr. 1880 | 2 Apr. 1881 | 363 | |||
| Patience | W. S. Gilbert | Arthur Sullivan | Opera Comique | 23 Apr. 1881 | 8 Oct. 1881 | 170 |
| Savoy | 10 Oct. 1881 | 22 Nov. 1882 | 408 | |||
| Iolanthe | W. S. Gilbert | Arthur Sullivan | Savoy | 25 Nov. 1882 | 1 Jan. 1884 | 398 |
| Princess Ida | W. S. Gilbert | Arthur Sullivan | Savoy | 5 Jan. 1884 | 9 Oct. 1884 | 246 |
| The Mikado | W. S. Gilbert | Arthur Sullivan | Savoy | 14 Mar. 1885 | 19 Jan. 1887 | 672 |
| Ruddygore | W. S. Gilbert | Arthur Sullivan | Savoy | 22 Jan. 1887 | 5 Nov. 1887 | 288 |
| The Yeomen of the Guard | W. S. Gilbert | Arthur Sullivan | Savoy | 3 Oct. 1888 | 30 Nov. 1889 | 423 |
| The Gondoliers | W. S. Gilbert | Arthur Sullivan | Savoy | 7 Dec. 1889 | 20 June 1891 | 554 |
| The Nautch Girl | George Dance & Frank Desprez | Edward Solomon | Savoy | 30 June 1891 | 16 Jan. 1892 | 200 |
| The Vicar of Bray | Sydney Grundy | Edward Solomon | Savoy | 28 Jan. 1892 | 18 June 1892 | 143 |
| Haddon Hall | Sydney Grundy | Arthur Sullivan | Savoy | 24 Sep. 1892 | 15 Apr. 1893 | 204 |
| Jane Annie | J. M. Barrie & Arthur Conan Doyle | Ernest Ford | Savoy | 13 May 1893 | 1 July 1893 | 50 |
| Utopia Limited | W. S. Gilbert | Arthur Sullivan | Savoy | 7 Oct. 1893 | 9 June 1894 | 245 |
| Mirette | Harry Greenbank & Fred E. Weatherly (revised by Adrian Ross) | André Messager | Savoy | 3 July 1893 | 11 Aug. 1894 | 41 |
| 6 Oct. 1894 | 6 Dec. 1894 | 61 | ||||
| The Chieftain | F. C. Burnand | Arthur Sullivan | Savoy | 12 Dec. 1894 | 16 Mar. 1895 | 97 |
| The Grand Duke | W. S. Gilbert | Arthur Sullivan | Savoy | 7 Mar. 1896 | 10 July 1896 | 123 |
| His Majesty | F. C. Burnand, R. C. Lehmann, & Adrian Ross | Alexander Mackenzie | Savoy | 20 Feb. 1897 | 24 Apr. 1897 | 61 |
| The Grand Duchess of Gerolstein | Charles H. Brookfield & Adrian Ross | Jacques Offenbach | Savoy | 4 Dec. 1897 | 12 Mar. 1898 | 104 |
| The Beauty Stone | A. W. Pinero & J. Comyns Carr | Arthur Sullivan | Savoy | 28 May 1898 | 16 July 1898 | 50 |
| The Lucky Star | Charles H. Brookfield, Adrian Ross, & Aubrey Hopwood | Ivan Caryll | Savoy | 7 Jan. 1899 | 31 May 1899 | 143 |
| The Rose of Persia | Basil Hood | Arthur Sullivan | Savoy | 29 Nov. 1899 | 28 June 1900 | 213 |
| The Emerald Isle | Basil Hood | Arthur Sullivan & Edward German | Savoy | 27 Apr. 1901 | 9 Nov. 1901 | 205 |
| Ib and Little Christina | Basil Hood | Franco Leoni | Savoy | 14 Nov. 1901 | 29 Nov. 1901 | 16 |
| The Willow Pattern | Basil Hood | Cecil Cook | ||||
| Merrie England | Basil Hood | Edward German | Savoy | 2 Apr. 1902 | 30 July 1902 | 120 |
| 24 Nov. 1902 | 17 Jan. 1903 | 56 | ||||
| A Princess of Kensington | Basil Hood | Edward German | Savoy | 22 Jan. 1903 | 16 May 1903 | 115 |
| The Mountaineers | Guy Eden | Reginald Somerville | Savoy | 29 Sep. 1909 | 27 Nov. 1909 | 61 |
| Fallen Fairies | W. S. Gilbert | Edward German | Savoy | 15 Dec. 1909 | 29 Jan. 1910 | 51 |
| Two Merry Monarchs | Arthur Anderson, George Levy, & Hartley Carrick | Orlando Morgan | Savoy | 10 Mar. 1910 | 23 Apr. 1910 | 43 |
Companion pieces
The fashion in the late Victorian era was to present long evenings in the theatre, and so full-length pieces were often presented together with companion pieces.5 During the original runs of the Savoy Operas, each full-length work was normally accompanied by one or two short companion pieces. A piece that began the performance was called a curtain-raiser, and one that ended the performance was called an afterpiece.
The following table lists the known companion pieces that appeared at the Opera Comique or the Savoy Theatre during the original runs and principal revivals of the Savoy Operas through 1909. There may have been more such pieces that have not yet been identified. In a number of cases, the exact opening and closing dates are not known. Date ranges overlap, since it was common to rotate two or more companion pieces at performances during the same period to be played with the main piece.
Many of these pieces also played elsewhere (and often on tour by D'Oyly Carte touring companies). Only the runs at the Opera Comique and the Savoy are shown here.6
| Title | Librettist(s) | Composer(s) | Theatre | Opening Date | Closing Date |
Played With |
|---|---|---|---|---|---|---|
| Dora's Dream | Arthur Cecil | Alfred Cellier | Opera Comique | 17 Nov. 1877 | 7 Feb. 1878* | The Sorcerer |
| The Spectre Knight | James Albery | Alfred Cellier | Opera Comique | 9 Feb. 1878 | 23 Mar. 1878 | The Sorcerer |
| 28 May 1878 | 10 Aug. 1878 | Pinafore | ||||
| Trial by Jury | W. S. Gilbert | Arthur Sullivan | Opera Comique & Savoy | 23 Mar. 1878 | 24 May 1878 | The Sorcerer |
| 11 Oct. 1884 | 12 Mar. 1885 | |||||
| 22 Sept. 1898 | 31 Dec. 1898 | |||||
| 6 June 1899 | 25 Nov. 1899 | Pinafore | ||||
| Beauties on the Beach | George Grossmith | George Grossmith | Opera Comique | 25 May 1878 | 5 Aug. 1878 | Pinafore |
| 14 Oct. 1878 | 5 Dec. 1878* | |||||
| A Silver Wedding | George Grossmith | George Grossmith | Opera Comique | part of 1878 | Pinafore | |
| Five Hamlets | George Grossmith | George Grossmith | Opera Comique | ? 1878 | 12 Oct. 1878 | Pinafore |
| Cups and Saucers | George Grossmith | George Grossmith | Opera Comique | 5 Aug. 1878* | 20 Feb. 1880 | Pinafore |
| After All! | Frank Desprez | Alfred Cellier | Opera Comique | 16 Dec. 1878* | 20 Feb. 1880 | Cups and Saucers |
| ? Feb. 1880 | 20 Mar. 1880 | Children's Pinafore | ||||
| Savoy | 23 Nov. 1895 | 4 Mar. 1896 | Mikado & Grand Duke | |||
| 4 Apr. 1896 | 8 Aug. 1896 | |||||
| 7 May 1897 | 16 June 1897 | Yeomen | ||||
| In the Sulks | Frank Desprez | Alfred Cellier | Opera Comique | 21 Feb. 1880 | ? | Pirates |
| 21 Feb. 1880 | 20 Mar. 1880 | Children's Pinafore | ||||
| 3 Apr. 1880 | 2 Apr. 1881 | Pirates | ||||
| 23 Apr. 1881* | 2 May 1881 | Patience | ||||
| Savoy | 11 Oct. 1881 | 14 Oct. 1881 | ||||
| Uncle Samuel | Arthur Law | George Grossmith | Opera Comique | 3 May 1881 | 8 Oct. 1881 | Patience |
| Mock Turtles | Frank Desprez | Eaton Faning | Savoy | 11 Oct. 1881 | 22 Nov. 1882 | Patience |
| 25 Nov. 1882 | 30 Mar. 1883 | Iolanthe | ||||
| A Private Wire | Frank Desprez | Percy Reeve | Savoy | 31Mar. 1883 | 1 Jan. 1884 | Iolanthe |
| The Carp | Frank Desprez & Arnold Felix | Alfred Cellier | Savoy | 13 Feb. 1886 | 19 Jan. 1887 | Mikado |
| 21 Feb. 1887 | 5 Nov. 1887 | Ruddigore | ||||
| Mrs. Jarramie's Genie | Frank Desprez | Alfred Cellier & François Cellier | Savoy | 14 Feb. 1888 | ? Nov. 1889 | Pinafore, Pirates, Mikado, Yeomen |
| Captain Billy | Harry Greenbank | François Cellier | Savoy | 24 Sep. 1891 | 16 Jan. 1892 | Nautch Girl |
| 1 Feb. 1892 | 18 June 1892 | Vicar of Bray | ||||
| Mr. Jericho | Harry Greenbank | Ernest Ford | Savoy | 18 Mar. 1893 | 15 Apr. 1893 | Haddon Hall |
| 3 June 1893 | 1 July 1893 | Jane Annie | ||||
| Quite an Adventure | Frank Desprez | Edward Solomon | Savoy | 15 Dec. 1894 | 29 Dec. 1894 | The Chieftain |
| Cox & Box | F. C. Burnand | Arthur Sullivan | Savoy | 31 Dec. 1894 | 16 Mar. 1895 | The Chieftain |
| Weather or No | Adrian Ross & William Beach | Bertram Luard-Selby | Savoy | 10 Aug. 1896 | 17 Feb. 1897 | The Mikado |
| 2 Mar. 1897 | 24 Apr. 1897 | His Majesty | ||||
| Old Sarah | Harry Greenbank | François Cellier | Savoy | 17 June 1897 | 31 July 1897 | Yeomen |
| 16 Aug. 1897 | 20 Nov. 1897 | |||||
| 10 Dec. 1897 | 12 Mar. 1898 | The Grand Duchess of Gerolstein | ||||
| 22 Mar. 1898* | 21 May 1898 | Gondoliers | ||||
| Pretty Polly | Basil Hood | François Cellier | Savoy | 19 May 1900 | 28 June 1900 | Rose of Persia |
| 8 Dec. 1900 | 20 Apr. 1901 | Patience | ||||
| The Outpost | Albert O'Donnell Bartholeyns | Hamilton Clarke | Savoy | 2 July 1900 | 3 Nov. 1900 | Pirates |
| 8 Nov. 1900* | 7 Dec. 1900 | Patience | ||||
| The Willow Pattern | Basil Hood | Cecil Cook | Savoy | 14 Nov. 1901 | 29 Nov. 1901 | Ib and Little Christina |
| (revised version) | 9 Dec. 1901 | 29 Mar. 1902 | Iolanthe | |||
| A Welsh Sunset | Frederick Fenn | Philip Michael Faraday | Savoy | 15 July 1908 | 17 Oct. 1908 | Pinafore & Pirates |
| 2 Dec. 1908 | 24 Feb. 1909 | |||||
*Indicates an approximate date.
Notes
- ^ See German Reeds, Frederic Clay, Edward Solomon and F. C. Burnand
- ^ See Crowther, Stedman, Bailey, Bradley, Ainger and Jacobs
- ^ The New Penguin Opera Guide, ed. Amanda Holden, Penguin Books, London 2001 and The Penguin Concise Guide to Opera, ed. Amanda Holden, Penguin Books, London 2005 both state: "Operetta is the internationally recognized term for the type of work on which William Schwenck Gilbert and Sullivan collaborated under Richard D'Oyly Carte's management (1875-96), but they themselves used the words 'comic opera'". See also the Oxford Dictionary of Opera, ed. John Warrack and Ewan West, Oxford University Press 1992 and The New Grove Dictionary of Opera, 4 vols, ed. Stanley Sadie, Macmillan, New York 1992
- ^ See e.g., The Manchester Guardian, 17 September 1910, p. 1, advertising The Mountaineers.
- ^ Lee Bernard. "Swash-buckling Savoy curtain-raiser", Sheffield Telegraph, 1 August 2008
- ^ Walters, Michael and George Low. Article on Savoy curtain raisers at The Gilbert and Sullivan Archive, accessed 8 May 2010
References
- Fitz-Gerald, S. J. Adair (1924). The Story of the Savoy Opera. London: Stanley Paul & Co.
- Rollins, Cyril; R. John Witts (1962). The D'Oyly Carte Opera Company in Gilbert and Sullivan Operas: A Record of Productions, 1875–1961. London: Michael Joseph. OCLC 504581419.
Further reading
- Ainger, Michael (2002). Gilbert and Sullivan, a Dual Biography. Oxford: Oxford University Press.
- Ayre, Leslie (1972). The Gilbert & Sullivan Companion. London: Pan Books Ltd. Foreword by Martyn Green.
- Baily, Leslie (1966). The Gilbert and Sullivan Book (new ed. ed.). London: Spring Books.
- Baily, Leslie (1973). Gilbert & Sullivan and Their World. London: Thames and Hudson Ltd.
- Bradley, Ian (1996). The Complete Annotated Gilbert and Sullivan. Oxford, England: Oxford University Press.
- Crowther, Andrew (2000). Contradiction Contradicted – The Plays of W. S. Gilbert. Associated University Presses. ISBN 0-8386-3839-2.
- Farrell, Scott (2009). The C. H. Workman Productions: A Centenary Review of the Final Savoy Operas. Scott Farrell.
- Ffinch, Michael (1993). Gilbert and Sullivan. London: Weidenfeld and Nicolson.
- Gilbert, W. S. (1976). The Complete Plays of Gilbert and Sullivan. New York: W. W. Norton and Company, Inc..
- Gilbert, W. S. (1994). The Savoy Operas. Hertfordshire, England: Wordsworth Editions Ltd. ISBN 1853263133.
- Green, Martyn (1961). Treasury of Gilbert & Sullivan. New York: Simon and Schuster, Inc..
- Hibbert, Christopher (1976). Gilbert & Sullivan and Their Victorian World. New York: American Heritage Publishing Co., Inc.
- James, Alan (1989). Gilbert & Sullivan. Wiltshire, England: Omnibus Press.
- Jacobs, Arthur (1992). Arthur Sullivan – A Victorian Musician (Second Edition ed.). Portland, OR: Amadeus Press.
- Smith, Geoffrey (1983). The Savoy Operas. London: Robert Hale Limited.
- Stedman, Jane W. (1996). W. S. Gilbert, A Classic Victorian & His Theatre. Oxford University Press. ISBN 0-19-816174-3.
- Williamson, Audrey (1953). Gilbert and Sullivan Opera. London: Marion Boyars.
- Wilson, Robin; Frederic Lloyd (1984). Gilbert & Sullivan – The Official D'Oyly Carte Picture History. New York: Alfred A. Knopf, Inc..
- Wolfson, John (1976). Final Curtain – The Last Gilbert and Sullivan Operas. London: Chappell & Company Limited.
External links
- The Gilbert and Sullivan Archive
- Information about curtain raisers and companion pieces at The Gilbert and Sullivan Archive
- The Gilbert and Sullivan Discography
- Gilbert & Sullivan 101, with essays, bibliography, related links, etc.
- Savoynet - an email-based G&S listserv
- Who Was Who in the D'Oyly Carte
- Memories of the D'Oyly Carte website
- Reviews of the operas
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- Tim
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- Collection of transcriptions of reviews and articles relating to Gilbert & Sullivan from early newspapers & periodicals. admin
- Bin Henry VIII clauses, Ken Clarke told
- Although the Lord Mayor's annual dinner for the judiciary looks like a scene from a Savoy opera, nobody should be distracted by the anachronistic pikemen and musketeers, by the strikingly tall city marshal in his red and gold uniform or ... Stewart Adkins
- Ingatestone Musical and Operatic Group - Yeomen of the Guard
- Sergeant Meryll was a pocket battleship of energy that belied the character's age but was enjoyable to watch and this thankless part, I always think, was portrayed with the obvious knowledge of an experienced Savoy Opera follower. ... The Fact Compiler
- Foster report on IEP set to music - Shocker
- But if you would like a comic opera on the subject of the IEP I would be happy to oblige. UPDATE: This, even more remarkably, from Sir WS Gilbert... I say, what a cracking idea for the next Savoy Opera. ... Charles T. Downey
- Opera for the People, in London
- Some Reviews of the Savoy Opera:The Barber of Seville (by Tim Ashley, in The Guardian, April 16), 2 of 5 stars The Marriage of Figaro (by Andrew Clements, in The Guardian, April 19), 3 of 5 stars 'A Strictly Comic Line'—The Savoy ... admin
- Ben Logan
- ... singing in the chorus of the VICTORIA STATE OPERA, OPERA AUSTRALIA's Melbourne season chorus and the STATE OPERA OF SOUTH AUSTRALIA, appearing in such rôles as Marco in The Gondoliers, Frederic in PIRATES OF PENZANCE for SAVOY OPERA ... nobody@flickr.com (Tolstoy2007)
- The Gondoliers - Leith Town Hall
- Tolstoy2007 posted a photo: The Gondoliers - Leith Town Hall. Edinburgh University Savoy Opera Group 1973. solasoletta
- This is my joy-day unalloyed.
- And it's all thanks to William Gilbert and Arthur Sullivan, who look like Jim Broadbent and Alan Corduner in my head, thanks to the wonderful film Topsy-Turvy, and who collaborated fourteen times for the Savoy Opera House--Pirates, ... Rehan
- For small business money makes the world go round
- In this Savoy opera, Gilbert and Sullivan satirised many commercial aspects of life in Victorian England, including how a limited liability company, if bankrupt, can leave creditors unpaid with no liability on the owners. ... unknown
- Gabion: A comic-opera stage-set: Britain's new Supreme Court is in ...
- Of the three courtrooms remaining, one was rescued from earlier alterations and is done out in modern style, while the other two remain in their Savoy Opera pomp. There's a largely tasteful art programme, mostly consisting of words and ... Keith Kibler
- A Singer's Notes 21: So many good things… | Berkshire Review for ...
- This is the way of the opera almost entirely. Lucy was a performer a few feet away from her audience, in a tiny space, who riveted the attention. She sang the death scene, (often this is full of yelps), and she sang it in English when the music is ... I loved the singing of Emalie Savoy in the Tanglewood Music Center's production of Strauss's Ariadne auf Naxos conducted by Christoph von Dohnányi. She sang the formidable title role with remarkable connectedness and beauty. ... unknown
- The Classical Review » Blog Archive » Freshly minted “Ariadne” at ...
- Ta'u Pupu'a and Emalie Savoy in "Ariadne auf Naxos" at Tanglewood. Photo: Hilary Scott. The Tanglewood Music Center production of Richard Strauss's opera Ariadne auf Naxos, presented Monday night, was a revelatory, freshly minted ... Administrator
- The Mikado April 2008
- Savoy Opera's Next Production The Mikado. Saturday April 12th 8:00 pm. Friday April 18th 8:00 pm. Saturday April 19th 2:00 pm Matinee Saturday April 19th 8:00 pm Evening. Alexander Theatre. Monash University, Wellington Road, Clayton ... Administrator
- Ruddigore Oct-Nov 2007
- Saturday 3 November, 2007 Matinee at 2.00pm. Saturday 3 November, 2007 at 8.00pm. Alexander Theatre Monash University, Clayton. C:\Documents and Settings\Anne\My Documents\Savoy Opera Company\Ruddigore Oct - Nov 2007. Hudson Sounds
- Hudson Sounds » Albany's own Emalie Savoy stars in “Ariadne”
- Daughter of Thomas and Deborah Savoy of Duanesburg, soprano Emalie Savoy graduated from Juilliard in the spring, is spending the summer as a fellow at Tanglewood, and then heads to a three-year apprenticeship with the Metropolitan Opera ... Administrator
- The Pirates of Penzance - Commences 22 - 29 April 2006 The Savoy ...
- Cast of the Pirates of Penzance 22 – 29 April 2006. MAJOR-GENERAL STANLEY David Kipp. THE PIRATE KING Geoff Carison. SAMUEL (his Lieutenant) Chris Ludowyk. FREDERIC (the Pirate Apprentice) Stephen mcnealy ... Michele
- New Location: Crow's Nest at Savoy in Ypsilanti « UMichiganPoker
- This entry was posted by Michele on August 3, 2010 at 10:54 am, and is filled under Announcements, Crow's Nest at Savoy Ypsilanti. Follow any responses to this post through RSS 2.0. You can leave a response or trackback from your own site. ... Vision Lanes in Westland, Waterford Shark Club, Wayside West Kalamazoo, Trip Reports, UMP Idle Locations, Angels Poker Room at US12, Belleville Moose Lodge, Brooklyn American Legion, City Opera House, Club on the River E Lansing ... Ed Savoy
- Matt Damon Movies - Top 10 Best Matt Damon Movies
- 7. The Bourne Supremacy. The middle film of the Bourne trilogy, Damon continues to be embroiled in intrigue regarding his past and the spy world. It's like a soap opera, but with bombs and guns. ... Holly
- Event Venues in Tucson, Arizona
- The Savoy Opera House is located in the middle of Trail Dust Town (http://www.traildusttown.com/), a western town originally constructed as a movie set. The 19th century style opera house makes a great banquet hall for receptions, ... leisureblogs
- 'Iolanthe' at Light Opera Works: Frisky fairies set the pace - The ...
- The youthful vigor and insouciance of the fairy ensemble, and a very droll performance from Frank DeVincentis as Private Willis, of the Grenadier Guards, save Kurt Johns' Light Opera Works revival of the 1882 Savoy opera from its ... admin
- Absolute Harmony Christmas 2006 - Fix You (Coldplay), part 3
- Absolute Harmony (along with the Revelation Rock Gospel choir and the Savoy Opera society) sold out the University chapel, leaving a queue that stretched halfway along the Founder's building outside in the cold, only able to listen from ... Administrator
- Savoy Opera House Tucson Wedding (Tucson)
- SAVOY OPERA HOUSE. 520-886-5012 Savoy Opera House located in Tucson, Arizona is Trail Dust Town's largest facility for weddings, conventions, banquets, theme parties and receptions. The Savoy is a complete recreation of authentic, ... Administrator
- Savoy Opera House Tucson Wedding (Tucson)
- Savoy Opera House located in Tucson, Arizona is Trail Dust Town's largest facility for weddings, conventions, banquets, theme parties and receptions. The Savoy is a complete recreation of authentic, turn-of-the century charm, ... Administrator
- Savoy Opera House Tucson Wedding (Tucson)
- Trail Dust Town has been a Tucson landmark for over forty years The Savoy Opera House is a beautiful place to host a wedding, corporate event, or other large party Kibbie and Tim's Wedding. Saturday, June 14th, 2003. ... Administrator
- Savoy Opera House Tucson Wedding (Tucson)
- Whether it's a wedding, corporate event, club, or private party, you'll easily find a quality band, DJ, string quartet 11:00AM - SAVOY OPERA HOUSE TUCSON, Arizona Have a relaxing and peaceful wedding in one of these Tucson area retreats ... Administrator
- Savoy Opera House Tucson Wedding (Tucson)
- Ideal location for wedding ceremonies, wedding receptions and rehearsal dinners Savoy Opera House. 6541 E Tanque Verde Rd. Tucson 85715 Wedding pictures. We were married on 29 July 1996. Maria was a very beautiful bride. ... Administrator
- Savoy Opera House Tucson Wedding (Tucson)
- Savoy Opera House Tucson Wedding Great Tucson wedding ceremony sites, Tucson wedding chapels, and other Tucson wedding locations. Tucson, AZ. 624-8711. Savoy Opera House. The Savoy Oprea House. Monopaly ... Administrator
- Savoy Opera House Tucson Wedding (Tucson)
- Savoy Opera House Tucson Wedding Tucson's Comprehensive Online. Wedding Resource. Center. As a benefit of visiting this site, I have developed a comprehensive list of. Tucson businesses that provide services and products to future ... Administrator
- Savoy Opera House Tucson Wedding (Tucson)
- Savoy Opera House Tucson Wedding one you'll never forget! Savoy Opera House. 6541 E 3000. Tucson Museum of Art, 140 N. Main, 624-2333. Back to the Wedding Resource Center. "Tracey Deines". Population Growth In East Tucson ... Administrator
- Savoy Opera House Tucson Wedding (Tucson)
- Savoy Opera House Tucson Wedding Have a relaxing and peaceful wedding in one of these Tucson area retreats. Tucson Wedding Guide world long gone but not forgotten - be swept back in time at the Savoy Opera House. 6541 E Tanque Verde. ... Deda
- Pirate Movies
- Now I'll probably write a long blabber, one day, about this Opera.... and you might want to skip that altogether or decide to fangirl with me over some cool music and libretto. It is a sort of Musical/Operetta... well it's a Savoy Opera ... Bill
- Utopia, Limited
- Utopia Limited; or, The Flowers of Progress, is a Savoy Opera, with music by Arthur Sullivan and libretto by WS Gilbert. It was the second-to-last of Gilbert and Sullivan's fourteen collaborations, premiering on 7 October 1893 for a run ... Ed Savoy
- Band Managers - Top 10 Notorious Band Managers
- If you sue your former brother-in-law and manager for 90 million dollars due to accusations of accounting fraud, you're either on a soap opera or you're Billy Joel. It's a good thing Joel divorced Frank's sister, or family reunions ... Gail M. Burns
- “The Mikado” Comes to Cohoes February 18-28 | Gail Sez - Berkshire ...
- The ultimate classic love story set in the most famous Savoy Opera continues to captivate audiences. Tickets: $25-$35. Box Office: 518.237.5858. GROUP RATES AVAILABLE. Performance Schedule Thursday-Saturday at 8:00pm ... Administrator
- Tucson Population (Tucson)
- Savoy Opera House. 6541 East Tanque Verde Tucson, AZ 85715 886-5012. Savoy Opera House. 6541 East Tanque Verde Tucson Ideal location for wedding ceremonies, wedding receptions and rehearsal dinners Savoy Opera House. ... Seth Lachterman
- Love Potion Opus 60: Strauss's Ariadne auf Naxos at Tanglewood ...
- Ariadne auf Naxos Opera in One Act with a Prologue by Hugo von Hofmannsthal, Music by Richard Strauss, Opus 60 1916 Version Tanglewood Music Center Vocal Fellows Tanglewood Music Center Orchestra Christoph von Dohnányi, conductor, ... A beauty to behold on stage, Ms. Savoy carefully held her vocal intensity in proper reserve: her “Es gibt ein Reich,” was superbly shaped, lovely, and memorable. Harlekin is an important role, most notably for the aria, “Lieben, Hassen, ... Tami Photographer
- Stacey + Kyle = Charming!
- These two were married at the Savoy Opera House which is located in the heart of Trail Dust Town in Tucson! Stacey and Kyle use to work at the Savoy Opera house back in the day when they first met. I thought it was cool they wanted to ... saveleiththeatre
- टाइम लाइन - time line
- January 1959 Edinburgh Grand Opera Company's performance of Charles Gounod's Faust February 1959 Edinburgh University Savoy Opera Group present Gilbert & Sullivan's Pirates of Penzance 22 August 1959 Gaelic Concert in Leith Town Hall ... Thames Valley Police customerservice@bumblebeeauctions.co.uk
- EMMANUEL VILLANI BRONZE - Bumblebee Auctions
- Saida was the leading female character in Arthur Sullivans Savoy Opera The Beauty Stone and Villanis sculpture may well be based upon the American Opera Singer, Pauline Joran (1870-1954), who first played the role of Saida in 1898 to ... London Ghost
- Extraordinary Hotels to Stay in London | Starting Out London
- What about staying at a hotel where Alexander Pavlov used to dance, Enrico Caruso used to sing his famous Italian opera songs and where Winston Churchhill used to make it a point to dine there once a week? The Savoy Hotel is one of majestic places to stay in London and was once upon a time run by Cezar Ritz, the king of hoteliers. The Savoy Hotel is located in central London along the River Thames. Claude Monet used to stay in this hotel in London and paint the river from ... christmas3385
- Absolute Harmony Christmas 2006 - All I Want For Christmas 2 ...
- Absolute Harmony (along with the Revelation Rock Gospel choir and the Savoy Opera society) sold completely the University chapel, leaving a procession that stretched halfway along the Founder's construction foreign in the chilly, ... David
- Culture vulture
- Savoy Opera Company made a good fist of it, especially the castmembers playing the parts of Melissa and Gama. For anyone who's interested, the production has two more performances to run - on Saturday, 25th and Friday, 31st. ... Thames Valley Police customerservice@bumblebeeauctions.co.uk
- REPRODUCTION BUST
- Saida was the leading female character in Arthur Sullivans Savoy Opera, The Beauty Stone and Villanis sculpture may well be based upon the American Opera Singer, Pauline Joran (1870-1954), who first played the role of Saida in 1898 to ... Eli Newberger
- The Boston Musical Intelligencer » Ariadne auf Bali Ha'i in ...
- Emalie Savoy brought an even, deeply resonant, warm voice to a complicated acting challenge that included her going ballistic, falling to the floor in mid-song as she responded to the Major-Domo's announcement of what “the patron ... (Note to gentle reader: Click to the Metropolitan Opera box office to catch her debut as Queen of the Night in Mozart's The Magic Flute during the coming season. While you're at it, get a couple for Cecelia Hall's debut as the Second ... JSherwood
- The Wicked Stage August 2010 | James Sherwood | The London Cut Diary
- Don't you wish we could all go back to an era when black – or even white – tie was mandatory for the theatre and you had a table booked at the Savoy Grill for a late night supper. Back in the day you could be sure the stars of the opera ... Tam Pollard
- Savoy presents Guys and Dolls
- During his many years in Edinburgh, my brother, and co-founder of this site, was a stalwart of the Edinburgh University Savoy Opera Group, I thus know an awful lot of ex-Savoyards. Heading off to catch their opening night of Guys and ... unknown
- CONDUCTOR SIR CHARLES MACKERRAS DIES | Celebrity Deaths
- Mackerras was a guest conductor of the D'Oyly Carte Opera Company for The Pirates of Penzance and The Mikado during the 1975 D'Oyly Carte Centenary season at the Savoy. He later joined the D'Oyly Carte Opera Trust and later its Board of ... morva shepley
- Pirates Rule
- The production I saw yesterday was an amateur one by Savoy Opera. They don't have a DVD so I've linked to this one instead. There are lots of them, but I chose this one because years ago I enjoyed seeing Simon Gallagher and Jon English ... P.S.Opera Guild
- THE MIKADO
- opera in two acts, with music by Arthur Sullivan and libretto by WS Gilbert, their ninth of fourteen operatic collaborations. It opened on March 14, 1885, in London, where it ran at the Savoy Theater for 672 ... unknown
- London Walk - Along The Strand by the Thames: Visit Oldest Wine ...
- Directly across the road from the Savoy is Covent Garden, probably one of the most popular attractions in London as well as one of the most lively. Buskers perform in the Piazza, there's a fabulous Opera House, and a huge market - a ... Administrator
- Night Life Tucson (Tucson)
- Trail Dust Town has been a Tucson landmark for over forty years The Savoy Opera House is a beautiful place to host a wedding, corporate event, or other large party one you'll never forget! Savoy Opera House. 6541 E 3000. ... Administrator
- Night Life Tucson (Tucson)
- Savoy Opera House, 6541 E wedding attire - from well-known designers such as Christian Dior and Valentino. 8-10 pm Sponsored by Tucson Alumnae Tucson Home Page. Return to Locations Index. Savoy Opera House. Trail Dust Town. ... David
- Old favourites
- Turned up to Alexander Theatre at Monash University Clayton on Friday evening to see a Savoy Opera Company production of “Trial by jury” and “Pinafore”. I've seen “Trial by jury” before but I don't think I've ever seen “Pinafore” staged ... Music Stamps
- Yeoman of the Guard, The
- (The Merryman and his Maid) a savoy opera in 2 acts , music by Sullivan and libretto by Gilbert, premiered at the Savoy Theater, London, on October 3, 1888, and ran for 423 performances. The opera is set in the Tower of London, ... LadyQ
- The Moon Song from "Mikado"
- Before the end of 1885, it was estimated that, in Europe and America, at least 150 companies were producing the opera. The Mikado remains the most frequently performed Savoy Opera, and it is especially popular with amateur and school ... unknown
- Three Gilbert & Sullivan companies unite for milestone performance ...
- The Montreal West Operatic Society, the Lakeshore Light Opera and McGill's Savoy Society are getting together for the first time to present a joint concert, 'Hail! Unity,' to promote their productions taking place in the coming year. ... Admin
- Comic Opera and Its Main Variants
- These two comic forms of opera were quickly exported to other European countries. And hence the Viennese Operetta, the Spanish Zarzuela, the English Ballad and the Savoy Opera were born. At the beginning, comic operas fitted in well as ... unknown
- Musical Marks End of Theatrical Era - Arts
- It is part of a series of comedic operas and operettas by Gilbert and Sullivan that premiered at the Savoy Theatre in London, their eighth Savoy Opera. Princess Ida is an operetta that differs from an ordinary opera in the sense that it ... Music Stamps
- Gondoliers, The
- (The King of Barataria), a Savoy Opera with music by Arthur Sullivan; libretto by Gilbert; premiered at the Savoy Theatre on December 7, 1889. The story of the opera concerns the young bride of the heir to the throne of Barataria who ... Shay Moore
- Adventures of a Tribal Dancer....: Rest in Peace, Perry Lorenzo
- I had the pleasure of not only being his student at John F. Kennedy High School, but also working with him in educational outreach at the Seattle Opera and performing in his production of The Mikado at the new Savoy Opera back when I ... Christiane Wartell
- The Lady in Question is Charles Busch | City Portraits | THIRTEEN
- And even though I haven't worn duct tape, or even false eyelashes, since roughly the Gulf War, today I'm known best online as a drag persona: the opera gossip columnist La Cieca, a role I've played for almost 15 years now. ... By the 1920s, the drag subculture was so well established in New York that Mae West (who based her stage persona on Savoy's act) could set the climactic scene of her 1926 melodrama “The Drag” at a downtown cross-dressing ball. True, the play closed ... admin
- Musical Maestros
- The resulting absence of royalties to pay combined with witty dialogue and great sets and costumes has resulted in the Savoy Opera becoming a favourite of amateur dramatic societies. This isn't only in Britain, but indeed most of the ... nyfiken
- Nyfiken : Savoy London and Opera " The Mikado"at Savoy theatre
- The Mikado from Savoy theatre had influenced European and new world.In UK, USA and Australia, THis historical opera musical is performed in different versions and ways.It is always interesting to see how European or Angrosaxon non ...