Soundstream

The corporate logo of Soundstream, Inc.
Soundstream Technical Specifications
Frequency Response	Flat from 0Hz to 21kHz
Wow and Flutter	Unmeasurable
Total Harmonic Distortion	Less than 0.004% at 0VU
Signal-to-Noise Ratio	Better than 90dB RMS, Unweighted
Dynamic Range	Better than 90dB RMS, Unweighted
Crosstalk	Less than -85dB
Print-through	None
Sampling Rate	50,000 per second
Digital Format	16 bits linear encoding / decoding

1 The Company
2 The Technology
3 See also
4 References

The Company

Soundstream Inc. was founded in 1975 in Salt Lake City, Utah by Dr. Thomas G. Stockham, Jr. It was the world’s first audiophile digital audio recording company, providing commercial services for recording and computer-based editing¹. Soundstream provided worldwide on-location recording services to Telarc, Delos, RCA, Philips, Vanguard, Varèse Sarabande, Angel, Warner Brothers, CBS, Decca, Chalfont, and other labels. It also leased or sold some recorders (a total of 18 were manufactured). Although most recordings were of classical music, the range included country, rock, jazz, pop, and avant-garde.

The first digital recording of a symphony orchestra was made in 1976 by Soundstream's prototype 37kHz, 16-bit, two channel recorder². New World Records, who recorded the Santa Fe Opera's performance of Virgil Thomson's The Mother of Us All, provided Soundstream with a stereo feed from their multitrack console. Soundstream demonstrated its recording of the opera at the Fall 1976 AES Convention³. Critiques of the recording, most notably from Telarc's Jack Renner and Robert Woods, led directly to the improved 4-channel, 50kHz sample rate recorder that was used for all of Soundstream's future commercial releases⁴. The New World Records issue of Mother of Us All was not from the digital recording made by Soundstream.

Also in 1976, Soundstream restored acoustic (pre-electronic) recordings of Enrico Caruso, using 'blind deconvolution'⁵. These were released by RCA as "Caruso - A Legendary Performer". In subsequent years Soundstream restored much of RCA's Caruso portfolio.

Soundstream’s first commercially released recording (popular music on the Orinda label) in 1978 was a month shy of the world’s first digitally recorded commercial release. For the ensuing three years, 50% of all classical music recorded digitally used Soundstream equipment.

Unlike its competitors, Soundstream's analog circuitry was transformerless, permitting a frequency response to 0Hz (DC). This accounted for the ‘bass drum heard round the world’⁶⁷ review of the 1978 Telarc recording of Frederick Fennell: The Cleveland Symphonic Winds⁸⁴. Soundstream collaborated with Telarc for several years, producing legendary symphonic recordings; the earliest ones are chronicled in Renner⁹. The care with which Telarc selected and used its microphones and audio console, combined with the Soundstream recorder, created a gold standard for audiophile recording. Telarc has re-released many of its original Soundstream recordings in SACD format, with a DSD-equivalent sampling rate of 50 kHz.

Soundstream recordings made before the advent of the CD were released as high-quality vinyl LP albums. Despite analog playback, many of these releases were sufficiently impressive to gain an early acceptance for digital audio¹⁰¹¹. The recording industry’s transition to digital was further facilitated by the many demonstrations given by Dr. Stockham, whose articulate explanations of digital audio theory and practice were renowned¹²¹³.

In 1980, Digital Recording Corporation (DRC) acquired Soundstream. DRC attempted to develop a home digital player that would use a photographically reproducible ‘optical card’ as opposed to the mechanically pressed CD¹⁴. This effort was eclipsed by the rise of the CD, leading to the company’s demise in 1985.

The Technology

The company developed its four-channel recorder in 1977. The Soundstream Digital Tape Recorder (DTR) consisted of a modified Honeywell 5600E instrumentation transport and analog and digital circuitry designed and built by Soundstream.

The Digital Tape Recorder

Promotional / Publicity photo of the Soundstream Digital Tape Recorder.

The Digital Tape Recorder was a portable four-channel digital audio processor containing the analog to digital converters, tape-data recovery and clock generation circuits, and the digital to analog converters. External hardware (tape drive, editing system, and digital delay unit) connected to the DTR through connectors on the back panel. The unit measured 20"x18"x10" and weighed 67 pounds.

Analog signals entered the DTR through standard XLR connectors at the rear of the unit. There, a differential input amplifier routed the signal through the front panel attenuation fader to the input low-pass (anti-alias) filter.

The filtered analog signal passed through a custom sample and hold and was digitized by an Analogic MP8016 16-bit Analog to Digital Converter operating at a 50kHz sample rate. A 3-bit sync pattern and an even parity bit were added to each 16-bit sample to form a 20-bit word that was serialized and transmitted by interface electronics to the tape transport where each audio channel's data were written to two separate tape tracks.

During tape playback or while recording and monitoring from tape, the redundant tracks of recorded data from the transport were sent to data recovery circuitry. Because the data recorded on tape are necessarily bandwidth limited, the data recovery circuitry squared-up the data signals and then created clocks to match the incoming data streams. Additional circuitry located word boundaries and converted the data to parallel format. In the event of tape dropouts, an error avoidance scheme selected the unaffected track's data.

The selected data were then clocked into an Analogic MP1926A Digital to Analog Converter at the original crystal-controlled sample rate. The analog signal from the converter was routed to the output low-pass (reconstruction) filter. Voltage and current gain sufficient for +20dBm into 150 ohms was provided by the output buffer amplifier which signal was then output at the XLR connector on the DTR's rear panel.

The Honeywell Tapedeck (or Honeywell Transport)

Soundstream-modified Honeywell 5600e Instrumentation Tape Drives (HTD) used custom high-frequency 18-track record and playback heads. The two outer tracks were reserved for ancillary data - SMPTE time code and the like. The remaining sixteen tracks were used to record up to eight channels of digital audio - two redundant tracks for each audio channel. The two tracks in a redundant track pair were separated as widely as possible to minimize playback errors due to tape defects (dropouts) - audio channel one was recorded on tracks 1 and 9.

At the front of the HTD, Soundstream installed Track Selector hardware. The left side selector allowed the operator to choose which audio channel pair (1,2; 3,4) was assigned to which tape track pair (1,2; 3,4; 5,6; or 7,8). The right side selector controlled the application of record circuitry power for each of the eight tracks.

The HTD initially used 1" Ampex 460 reel-to-reel tape at 35ips. Later, Soundstream switched to Ampex 466 tape which allowed for the slower tape speed of 30ips.

Ancillary Equipment

Digital Audio Interface

The Digital Audio Interface (DAI) was the input/output path between the Digital Editing System and external hardware. The DAI received raw source data from session tapes and passed the data on to the editing system's computer for storage. Finished (edited) data passed through the DAI from the editing system's computer to a DTR for creation of a master tape. During the editing process, data from the editing system's computer passed through the DAI to a Digital Audio Conversion Unit (DAC Box) in the editing room.

The DAI resided in the Editing System's computer and contained a one-megabyte FIFO. Realtime input/output capacity was eight channels of 16-bit audio data at any of the then standard sample rates.

Digital Delay Unit

To allow for a preview channel during the LP cutting process, Soundstream built a digital delay unit (DDU). Digital data from tape could be delayed by a user selectable time: 3ms to 1.308s in increments of 5.12ms. Delay was accomplished by the use of a variable-depth FIFO or ring buffer.

S-1610 Adapter

So that users of the Sony PCM-1610 Digital Audio Processor could take advantage of Soundstream's editing system, the company developed the S-1610 Adapter. The adapter was a bidirectional two-channel format converter. Data from the Sony PCM-1610 were converted to the format used by the Soundstream DTR so that the data appearing at the input to the Digital Audio Interface looked to the DAI as if it had come from a DTR. Similarly, finished (edited) data in Soundstream format were restored to the Sony format by the adapter. Sony data were imported/exported at either of the two sample rates 44.1kHz or 44.1/1.001kHz.

Any metadata in the Sony format were lost in the format conversion. This was a format conversion only, the adapter did not do sample rate conversion.

M Adapter

So that users of the 3M Digital Mastering System could take advantage of Soundstream's editing system, the company developed the M Adapter. The adapter was a bidirectional eight-channel format converter. Data from the 3M Digital Mastering System were converted to the format used by the Soundstream DTR so that the data appearing at the input to the Digital Audio Interface looked to the DAI as if it had come from a DTR. Similarly, finished (edited) data in Soundstream format were restored to the 3M format by the adapter.

DAC Box

Essentially derived from the DTR's playback circuitry, the DAC Box was a four channel device used by the Soundstream editors to audition audio data during the editing process. Audio played from the computer through the Digital Audio Interface into the DAC Box.

The Digital Editing System

Soundstream’s digital editing system was the first instance of a computer used to edit commercial recordings. It consisted of a Digital Equipment PDP 11/60 computer, Soundstream’s interface to transfer data between its recorder and the computer’s disks (a pair of Braegen 14" disk drives), digital-to-analog playback hardware, and editing software. For all intents and purposes, this system was the very first digital audio workstation. In addition to its own facility, Soundstream installed editing systems at Paramount Pictures (Hollywood), RCA (New York), and Bertelsmann (Germany). A system was delivered to the U.S. Department of Justice to aid the analysis of bootleg recordings.

Editing could be performed at sample accuracy (i.e., 1/50,000 of a second); any mixing was performed digitally.

The sound system in the editing room in the Salt Lake facility used a Threshold SL-10 preamp, a Sumo "The Power" amp, and Infinity RS4.5 speakers.

References

^ Robert Easton, Soundstream, the first Digital Studio, Recording Engineer/Producer, April 1976
^ Los Angeles Times, Jan. 9, 2004
^ Thomas Fine, The Dawn of Commercial Digital Recording, ARSC Journal Volume 39, No. 1, Spring 2008
^ ^a ^b Tracy Eddy, The Bass Drum Heard `Round the World: Telarc, Frederick Fennell, and an Overture to Digital Recording, IEEE Today's Engineer Online, July 2005
^ Thomas Stockham, Restoration of Old Acoustic Recordings by means of Digital Signal Processing, 41st Convention of the Audio Engineering Society, 1971a
^ IEEE Global History Network, Telarc, Frederick Fennell, and an Overture to Digital Recording
^ Stereophile, Interview: Jack Renner of Telarc: Direct from Cleveland!; Stereophile October 1998
^ World Book Encyclopedia, Yearbook, 1978
^ Jack Renner, The Roots of Telarc, Telarc newsletter, Fall 1992
^ David Ranada, A Dozen Digital Demo Discs, Stereo Review, Jan. 1980
^ BM/E, New Audio Tape Machine Delivers ‘Digital Fidelity’, Feb. 1977
^ Thomas Stockham, A-D and D-A Converters: their Effect on Digital Audio Fidelity, 41st Convention of the Audio Engineering Society, 1971b
^ Thomas Stockham, Records of the Future, Journal of the Audio Engineering Society, Oct. 1977
^ John Miklosz, Digital Audio System uses Rectangular Records, Electronic Engineering Times, Nov. 23, 1981

v • d • e Audio recording formats

Analog	Phonautogram (1857) · Phonograph cylinder (1877) · Gramophone record (1895) · Wire recording (1898) · Reel-to-reel tape (1940s) · SoundScriber (1945) · Gray Audograph (1945) · Dictabelt (1947) · LP record (1948) · 45 rpm record (1949) · RCA tape cartridge (1958) · Fidelipac (1959) · Stereo-Pak (1962) · Compact Cassette (1963) · 8-track (1964) · PlayTape (1966) · Mini Cassette (1967) · Microcassette (1969) · Steno-Cassette (1971) · Elcaset (1976) · Cassette single (1980) · Picocassette (1985)

Digital	Soundstream (1976) · 3M (1979) · X80/ProDigi (1980) · DASH (1982) · Compact Disc (1982) · Digital Audio Tape (1987) · ADAT (1991) · MiniDisc (1991) · NT (1992) · Digital Compact Cassette (1992) · High Definition Compatible Digital (1995) · 5.1 Music Disc (1997) · Super Audio CD (1999) · DVD-Audio (2000) · USB flash drive (as audio format, 2004) · Hi-MD (2004) · SlotMusic (2008)

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Pair of Brand New Soundstream Pcs.52n 5.25″ 75 Watt Rms Each 2 Way ...: Product DescriptionPAIR brand new Soundstream PCS. 52N 5th 25 “75 watts RMS per speaker 2 WAY Car Features: PCS. 52N 6th 5″ 3-way Lautsprecher75 Watt RMS watt output system je150 insgesamt12 oz Mahnets75 Hz – 50 kHz Frequency Response1 ...
And Best Price On Brand NEW Soundstream Tarantula Trx2.640: Brand NEW Soundstream Tarantula Trx2.640 640w Rms 2 Channel Class A/b Car Audio Amplifier with New Internal Design! Capable of 2 Channel or Bridged Mode DescriptionBRAND NEW Soundstream Tarantula TRX2.640 640 watts RMS 2-channel Class A ...
Old school soundstream designer repairing? - diyAudio: Saw this on another board anyone know him... soundstream repairs - DIYMA.com.
[US48] Soundstream XTA 600.2 Car Amp - Overclock.net ...: I have an amp for car audio here... Specs are listed here, straight from the manual, located here. I will give detail on it after the specs. Make.
Soundstream reference 405s: parting with my soundstream reference 405s i loved this amp for its clearity! no issues with this amp.. some small scratches here and there, nothing major.. asking 175.00.
The Visionaries | Soundstream Adelaide New Music Festival ...: Adelaide's Soundstream New Music Festival was set in motion with a thrilling program themed Acoustic Architecture at the ABC Studio 520 last night. Lit by Bluebottle's Geoff Cobham and his team, Studio 520 provided excellent acoustics ...
Caution: Soundstream stealth amp - DIYMA.com: I have the 6 channel STL6.620 on its way to me. Unfortunately, I just found out it is over 4" high! The soundstream web page lists it at the same.
“Nightmare” Bass BLASTING w/ SoundStream XXX 15's & 2 DTR1.3400d ...: WARNING* EXPLICIT LANGUAGE It's 5am... I can't take it anymore! What do you think? Did this guy get what was comin' to him? :) www.youtube.com Leave A.
new soundstream old school amps: What I am looking for is feedback from you hopefully potential customers and Soundstream fans. My initial idea is to build three Reference amps and three Class A's. The Reference amps would be 200, 400, 600 watts and the Class A's would ...
Rare Soundstream Rubicon RUB 1000-2 - DIYMA.com: 200x2 @ 4 ohms; 12.6 volts 500x2 @ 2 or 1 ohms; 14.4 volts 1000x1 @ 4 or 2 ohms; 14.4 volts super clean super low THD. tested and working, no DOA. 200.
Soundstream 7355 double DIN - FloridaSPL: Soundstream 7355 double DIN Audio For Sale / Wanted.
Soundstream RBT.402 4-Inch 2-Way 140-Watt Speakers (Black): Soundstream RBT.402 4-Inch 2-Way 140-Watt Speakers (Black) Feature. 4″ Rubicon Series 2-way Full-Range Car Speakers; Power Handling: Peak: 280 watts per pair / 140 watts each RMS: 140 watts per pair / 70 watts each; Carbon injection ...
SPLX Subwoofer Flex Demo w/ 2 SoundStream D-Tower Car Audio Amps ...: Soundstream Speakers STB Build Install Two Voltmeter's – Back & Front Big Three / 3 Upgrade. Even if you don't know a lot about installing car audio stereos – You can see how wicked crazy this re-build is ! Besides the insane amount of ...
How to take the power Soundstream amplifier for the your sports ...: Amps from Soundstream, representing a line of Lil Wonder II, less demand on the automobile music market, but, yet, dissenting by compact sizes, plainly filled up with diverse expert tricks. Efficiency of 75 % provides playing power a ...
Soundstream Scx8 8 Farad Digital Stiffening Capacitor: Siundstream scx8 8 farad digital stiffening capacitor 3 more farad soundstream scx8 8 farad digital stiffening capacitor punctured or damaged surrounds, broken speaker terminals, non-ppi modifications, bent, chipped or broken frames, ...
Old School Soundstream Exact 5.3 Components Comps - DIYMA.com: I have had these since 1998 I used them active for about 2 years then took them out. They have been sitting in my basement ever since. Some how I lost.
Soundstream VIR7870NRB 7-Inch Flip Up TFT-LCD Receiver Price ...: More >> Specs and Features of Soundstream VIR7870NRB 7-Inch Flip Up TFT-LCD Receiver Motorized TFT-LCD Telescopes Forwards/Backwards w/ Pre-Set Angles Detachable Theft Deterrent Front Panel Flips Down for DVD Loading Accepts Add-On GPS ...
Soundstream RUB5.800 5-Channel Amplifier: Soundstream Rubicon Series 5-Channel Class A/B Car Amplifier; RMS Power Rating: 4 ohms: 70 watts x 4 chan. + 200 watts x 1 chan. 2 ohms: 115 watts x 4 chan. + 340 watts x 1 chan. Bridged 4 ohms: 230 watts x 2 chan. ...
Check Out Soundstream RUB1.1000D Class D 1000-Watt Mono Amplifier ...: Soundstream RUB1.1000D Class D 1000-Watt Mono Amplifier (Blue) Feature. Midnight Blue Finish w/ Brushed Accents; Regulated MOSFET Pulse Width Modulated Power Supply; Three-Way Protection Circuitry (thermal short impedance) Twin Stack ...
BNIB Soundstream T4 12's and a Pair of SS Van Gogh 12's: Soundstream Tarantula T4 12's (Pair) $250 for the pair or $130 each shipped. BNIB * Sensitivity: 89 dB * RMS Power Range : 900 Watts * Peak Power Handling: 1800 Watts *
Car Audio For Sale WTS Soundstream Reference and rubicon collection: i have 5 amps for sale Soundstream Reference 500sx $145 shipped obo 2x75 at 4ohm 2x150 at 2ohm 300x1 at 4ohm 500x1 at 2ohm manual http://www.soundstream.com/manuals/A...s/r5_7_10s.pdf Soundstream Reference 700sx $50 shipped obo (DOES ...
Soundstream SC-40CA 40-Farad Digital Capacitor: Soundstream SC40CA : Product Details. My Links : Discount Jewelry Display Tips 10 http://skma.biz/homertroung/ http://nicholasgoodell.lawebber.com/
SoundStream PCS.52N 5.25 inch 2-Way Coaxial 150 Watt Car Speakers: Prices and product availability are subject to change. Any price displayed on the Amazon website at the time of purchase will govern the sale of this product. Product Description: SoundStream PCS.52N 5.25 inch 2-Way Coaxial 150 Watt Car ...